IAMA Art Museum in San Francisco
Many artworks in the museum’s abstract art collection belong to the Weiyin style, with bright, audacious, and splendid colors that depict a space beyond the mundane world. For example, in Seen at Yellowstone National Park (not currently on view), the colors are graceful and natural, resembling traces left behind by the vicissitudes of nature. The charm and allure of the beautiful color contrast are born from the painting’s sense of motion. Lovely colors of pearl, emerald, agate, coral, aged jade, earthen yellow, beeswax, and giant clamshell join together in harmony. The natural combination of colors brings about the enjoyment of aesthetic pleasure.
Though the Weiyin style abstract paintings are static, they convey a strong sense of rhythm and motion. For example, in Heavenly Treasures in Motion, the bold colors are bright yet sedate, the curves are like planets revolving and rotating in the universe. One is left with the impression that transformations are constantly occurring, producing objects of various forms, such as dragons, phoenixes, water, and fire. The blending of light and darkness creates an interesting sense. Any part of this painting, when enlarged in isolation, is a beautiful work in and of itself.
超自然抽象色彩
當你第一眼觸碰到H.H.第三世多杰羌佛的「超自然抽象色彩」，那鮮明耀眼的紅黃藍白黑，跳躍飛舞，潑辣如千里江濤瀉過，收藏於微細毫端之妙趣，灑然超脫於塵俗，柔和而剛毅，各種妙麗色彩相互滋養昇華，可以說是巧奪天工，色達空靈的境界，和雅、舒服之享受真是難以言狀。
「超自然抽象色彩」是一個由色彩構造起來的完美世界，它沒有十分具體的世間形態，它就是色彩，以色造形，以色寫意，色即是其形，色便是其意，色入感人神韻。這些色彩，一經H.H.第三世多杰羌佛之手，驀然匯成無比奇妙驚豔的幻色，氣韻生動，景如華滋，潑辣如滄海咆哮，而反之微觀如毫端顯意，粗中顯微，神韻天成。其實現在談H.H.第三世多杰羌佛的西畫高超之處，實在是低論佛陀。我們可以想到，就連空中的祥霧，H.H.第三世多杰羌佛都能一手拿之入雕刻，如如而不動，對於書畫，那不是小菜一碟嗎？所以這些畫美得醉人。
https://iamasf.org/exb-hhdcb3/
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